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Zaburi 46

tafsiri 7 · soma katika mapokeo 12.

NCB · Biblia Mpya ya Maafikiano

1God is for us a refuge and strength, a help in distresses, abundantly found. 2Therefore we will not fear, though earth changes, and though mountains totter into the heart of seas; 3though its waters roar and foam, though mountains quake in its swelling. Selah. 4A river—its streams gladden the city of God, the holy place of the tents of the Most High. 5God is in her midst, she will not totter; God will help her at the turning of the morning. 6Nations raged, kingdoms tottered; he uttered his voice, earth melted. 7The LORD of Armies is with us; the God of Jacob is our fortress. Selah. 8Come, see the works of the LORD, who has set desolations in the earth. 9He causes wars to cease to the end of the earth; he breaks bow and shatters spear; he burns chariots in the fire. 10“Desist, and know that I am God. I will be exalted among the nations, I will be exalted in the earth.” 11The LORD of Armies is with us; the God of Jacob is our fortress. Selah.

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Mambo ambayo mapokeo yanakubaliana

Universally across all families, the psalm structurally contrasts cosmic chaos and political upheaval with the security provided by God's presence in Jerusalem. It is widely held that the 'city of God' typologically represents the New Testament Church and that the 'river' gladdening the city signifies the outpouring of the Holy Spirit. Several traditions derive specific applications from the text, interpreting the dawn as a prophecy of the Resurrection, the 'holy place' as a prefiguration of… Ingia ili usome makubaliano kamili →

Pale ambapo mapokeo yanatofautiana

  • The physical upheavals of the earth and mountains prophetically describe literal global cataclysms that will occur during the final eschatological Time of Trouble.

    lutheran: DENY; reformed: DENY; adventist: AFFIRM

  • The raging waters, shaking mountains, and hostile nations represent the spiritual attacks of the devil and the world against the Gospel.

    lutheran: AFFIRM; reformed: QUALIFY; methodist: QUALIFY

  • The command to 'be still' is a divine invitation to contemplative prayer, ascetic stillness, and detachment from worldly anxieties.

    catholic: AFFIRM; orthodox: AFFIRM; oriental-orthodox: AFFIRM; anglican: AFFIRM; lutheran: DENY; reformed: QUALIFY; baptist: QUALIFY; methodist: QUALIFY; anabaptist: QUALIFY; pentecostal: QUALIFY

  • The command to 'be still' is an exhortation to cease works-righteousness and human striving, trusting solely in God's justification and providence.

    lutheran: AFFIRM; baptist: QUALIFY; methodist: QUALIFY; pentecostal: QUALIFY

  • The command to 'be still' is a sovereign rebuke directed at rebellious nations, commanding them to cease their warfare against God's rule.

    catholic: AFFIRM; orthodox: AFFIRM; anglican: QUALIFY; lutheran: DENY; reformed: AFFIRM; baptist: QUALIFY; methodist: AFFIRM; anabaptist: AFFIRM; pentecostal: AFFIRM; adventist: AFFIRM

  • The command to 'be still' is an ethical imperative for believers to lay down arms and abstain from violent retaliation.

    lutheran: DENY; anabaptist: AFFIRM

Jinsi kila mapokeo yanavyoisoma

Kila usomaji ulizalishwa kwa kujitegemea — hakuna mapokeo yanayoona majibu ya mengine.

Catholic

In its original setting, this passage is a 'Song of Zion' celebrating God as an invincible fortress for Jerusalem. The psalmist contrasts the chaotic forces of nature (roaring seas, quaking mountains) and the violent upheavals of history (raging nations, shifting kingdoms) with the serene security of the City of God. This security is not based on military might, but on the presence of the Lord of Hosts in her midst, symbolized by a gentle, sustaining river. The psalm concludes with a divine oracle commanding the warring nations to cease their strife and acknowledge God's universal sovereignty. Reception: The Catholic tradition, drawing on both Latin and Greek Fathers, receives this psalm with profound Christological, pneumatological, and Mariological depth. The 'river' whose streams make glad the city of God (verse 4) is traditionally identified with the outpouring of the Holy Spirit. Saint Basil the Great reads these streams as the continuous flow of the Spirit's graces sustaining the Church. The Vulgate's rendering of verse 4, 'the most High hath sanctified his own tabernacle,' is heavily utilized in Eastern Catholic and Byzantine Marian theology. Saint John of Damascus and later hymnographers read this typologically: the Blessed Virgin Mary is the ultimate 'City of God' and the 'sanctified tabernacle' holding the Divine Presence. Verse 5's promise that 'God will help her in the morning early' (DRC) is almost universally read by the Fathers, notably Saint Augustine, as a prophecy of the Resurrection—Christ rising at the dawn of the third day to secure the Church's eternal triumph. Finally, verse 10 ('Be still, and know that I am God') provides a foundational text for Catholic mystical theology. In the Latin West, Augustine interpreted the Vulgate's 'vacate' as a call to 'holy leisure' (otium sanctum)—withdrawing from worldly anxieties to gaze upon God. In the Christian East, the Septuagint's 'scholasate' serves as a scriptural anchor for hesychasm, the ascetical practice of inner stillness and the quieting of the passions to perceive the uncreated light.

Eastern Orthodox

Read within its ancient historical setting, this text is a song of Zion celebrating God as a cosmic refuge. Amidst chaotic waters and shaking mountains, the city of God remains secure, sustained by a gentle river. The Psalmist witnesses the cessation of war by God's hand and concludes with a divine oracle commanding the nations to desist and recognize God's absolute sovereignty. Reception: In the Eastern Orthodox canonical context, where it is numbered Psalm 45 according to the Septuagint, this text is saturated with Christological, Mariological, and ascetic meaning. The Septuagint superscription dedicates it 'for the hidden things', which patristic commentators like Theodoret of Cyrus identify as the hidden mysteries of the Incarnation and the Church. Athanasius reads the 'city of God' as the Church, and God's intervention 'at dawn' as a direct prophecy of Christ's early morning Resurrection. Liturgically and patristically, the 'holy tabernacle of the Most High' is consistently interpreted as a type for the Theotokos; John of Damascus applies the promise that 'she shall not be moved' to the Virgin Mary, who contained the divine presence. Most distinctively, the Septuagint translation of verse 10, 'scholasate' (meaning 'have leisure' or 'be still'), forms the biblical bedrock for hesychia (stillness). Gregory Palamas invokes this command to defend hesychast asceticism, arguing that silencing the mind is the prerequisite for experiencing God's uncreated light.

Oriental Orthodox

Psalm 46 is a song of Zion celebrating God as the invincible refuge and defender of Jerusalem against cosmic chaos and hostile nations. The psalmist contrasts the raging of the seas and the tumult of earthly kingdoms with the peaceful, life-giving river in the city of God. The divine command to be still asserts the supreme sovereignty of God over all the earth. Reception: The Oriental Orthodox tradition receives this psalm typologically, Christologically, and Mariologically. The river whose streams make glad the city of God (v. 4) is identified by the Alexandrian Fathers as the outpouring of the Holy Spirit. Athanasius of Alexandria and Cyril of Alexandria interpret the city of God as the Church, which remains unshaken because the Emmanuel dwells within her (v. 5, 7). The phrase detailing the holy place of the tabernacles of the most High (v. 4) is also read across Coptic and Syriac hymnography as a type of the Theotokos, the Virgin Mary, whose womb became the unshakeable dwelling place of the Incarnate Word. Furthermore, God helping the city right early or at the dawn of the morning (v. 5) is read as a prophetic pointer to the Resurrection of Christ at daybreak. The injunction to be still and know that I am God (v. 10) forms a cornerstone of the ascetic tradition, interpreted by Athanasius as a command to abandon worldly anxieties to achieve true spiritual contemplation.

Mapokeo 9 zaidi yanasoma sura hii.

Ingia ili usome zote 12 →

Kila tafsiri

Sura hiyo hiyo katika tafsiri 7 za miliki ya umma.

WEB · World English Bible

1God is our refuge and strength, a very present help in trouble. 2Therefore we won’t be afraid, though the earth changes, though the mountains are shaken into the heart of the seas; 3though its waters roar and are troubled, though the mountains tremble with their swelling. Selah. 4There is a river, the streams of which make the city of God glad, the holy place of the tents of the Most High. 5God is within her. She shall not be moved. God will help her at dawn. 6The nations raged. The kingdoms were moved. He lifted his voice and the earth melted. 7Yahweh of Armies is with us. The God of Jacob is our refuge. Selah. 8Come, see Yahweh’s works, what desolations he has made in the earth. 9He makes wars cease to the end of the earth. He breaks the bow, and shatters the spear. He burns the chariots in the fire. 10“Be still, and know that I am God. I will be exalted among the nations. I will be exalted in the earth.” 11Yahweh of Armies is with us. The God of Jacob is our refuge. Selah.

KJV · King James Version

1God is our refuge and strength, a very present help in trouble. 2Therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea; 3Though the waters thereof roar and be troubled, though the mountains shake with the swelling thereof. Selah. 4There is a river, the streams whereof shall make glad the city of God, the holy place of the tabernacles of the most High. 5God is in the midst of her; she shall not be moved: God shall help her, and that right early. 6The heathen raged, the kingdoms were moved: he uttered his voice, the earth melted. 7The Lord of hosts is with us; the God of Jacob is our refuge. Selah. 8Come, behold the works of the Lord, what desolations he hath made in the earth. 9He maketh wars to cease unto the end of the earth; he breaketh the bow, and cutteth the spear in sunder; he burneth the chariot in the fire. 10Be still, and know that I am God: I will be exalted among the heathen, I will be exalted in the earth. 11The Lord of hosts is with us; the God of Jacob is our refuge. Selah.

Tafsiri 5 zaidi za kulinganisha, upande kwa upande.

Ingia ili ulinganishe zote 7 →
Tofauti zinazobadili maana (14)
  • v2 [lexical]: Different descriptions of the earth undergoing upheaval or changing. — “be removed and though” (KJV, DARBY) vs “changes” (WEB) vs “do change” (ASV) vs “in” (YLT) vs “shall” (WEBSTER) vs “shall troubled” (DRC)
  • v2 [lexical]: Different translations for the center or depths of the sea. — “heart” (WEB, ASV, YLT, DARBY, DRC) vs “midst” (KJV, WEBSTER)
  • v2 [grammatical]: Singular versus plural translation of 'sea'. — “seas” (WEB, ASV, YLT, DARBY) vs “sea” (KJV, WEBSTER, DRC)
  • v4 [lexical]: Different terms for the dwelling places of the Most High. — “tabernacles” (KJV, ASV, YLT, WEBSTER) vs “tents” (WEB) vs “habitations” (DARBY) vs “city” (DRC)
  • v5 [grammatical]: Different auxiliary verbs indicating future or continuous action. — “will” (WEB, ASV, DRC) vs “shall” (KJV, DARBY, WEBSTER) vs “doth” (YLT)
  • v6 [lexical]: Different verbs used to describe God making His voice heard. — “uttered” (KJV, ASV, DARBY, WEBSTER, DRC) vs “lifted” (WEB) vs “hath given forth with” (YLT)
  • v6 [lexical]: Different translations for the earth's reaction to God's voice. — “melted” (WEB, KJV, ASV, DARBY, WEBSTER) vs “melteth” (YLT) vs “trembled” (DRC)
  • v7 [interpretive]: (vv 7, 11) Different representations of the divine name YHWH. — “The Lord” (KJV, WEBSTER, DRC) vs “Jehovah” (ASV, YLT, DARBY) vs “Yahweh” (WEB)
  • v7 [lexical]: (vv 7, 11) Different translations of 'Sabaoth' (hosts or armies). — “hosts” (KJV, ASV, YLT, DARBY, WEBSTER) vs “Armies” (WEB, DRC)
  • v8 [stylistic]: Different phrasing for the invitation to observe God's works. — “behold the” (KJV, ASV, DARBY, WEBSTER) vs “see Yahweh’s” (WEB) vs “ye see” (YLT) vs “and ye” (DRC)
  • v9 [grammatical]: Different verb forms (participle versus finite) indicating the action of stopping wars. — “He maketh” (KJV, ASV, WEBSTER) vs “makes” (WEB) vs “Causing” (YLT) vs “hath made” (DARBY) vs “Making” (DRC)
  • v9 [stylistic]: Minor variations in prepositional phrasing for 'to the end'. — “unto” (KJV, ASV, YLT, DARBY) vs “to” (WEB, WEBSTER) vs “even to” (DRC)
  • v10 [lexical]: Different verbs for perceiving or acknowledging God. — “know” (WEB, KJV, ASV, YLT, DARBY, WEBSTER) vs “see” (DRC)
  • v10 [lexical]: Different translations for the nations or Gentiles. — “nations” (WEB, ASV, YLT, DARBY) vs “the heathen” (KJV, WEBSTER) vs “nations and” (DRC)

Nyuma ya ukurasa huu

Matini asilia. Hebrew/Aramaic (Westminster Leningrad Codex tradition, via STEPBible TAHOT). Hebrew text from the Westminster Leningrad Codex.

Majina ya kiungu: Elohim (God), YHWH (the LORD) — render YHWH and Elohim distinguishably.

Yaliyorejelewa pia, lakini hayakuhesabiwa katika makubaliano

Academic textual-historical analysis

Academic textual-historical analysis categorizes Psalm 46 as a 'Song of Zion' (alongside Psalms 48, 76, 84, 87, and 122) and a communal song of confidence. The psalm is structured in three strophes, marked by the musical notation 'Selah' (verses 3, 7, 11). A major structural debate concerns the refrain 'Yahweh of Armies is with us...' found in verses 7 and 11; many textual critics argue that this refrain was accidentally lost from the end of the first strophe (after verse 3) during transmission, as its restoration produces perfect symmetry. The text heavily utilizes ancient Near Eastern mythological imagery, specifically the 'Chaoskampf' (struggle against chaos). The roaring, surging waters and shaking mountains of verses 2-3 represent the primeval chaotic sea (cognate to the Ugaritic deity Yamm), which threatens the cosmic order. In stark contrast, verse 4 introduces a tranquil, life-giving river that gladdens the city of God, echoing Canaanite descriptions of the supreme god El's abode at the confluence of two rivers. Historically, scholars debate its dating, oscillating between a pre-exilic context celebrating the inviolability of Jerusalem (often linked to the Assyrian crisis of 701 BCE) and a post-exilic eschatological vision.

Jewish interpretation

Psalm 46 is a hymn of Zion celebrating God as an impregnable refuge and source of strength during times of cosmic upheaval and geopolitical chaos. Ascribed to the 'sons of Korah' and directed to the chief musician 'upon Alamoth,' the text contrasts the roaring, chaotic waters of the sea and shaking mountains with a tranquil river that brings joy to the 'city of God' (Jerusalem). The psalm confidently asserts that the presence of the Most High within the city guarantees its survival, culminating in a divine intervention that completely shatters the weapons of the raging nations and establishes universal peace.

Latter-day Saint

Psalm 46 is a Zion hymn that celebrates God as the ultimate refuge and defense of His people amidst both cosmic upheaval and the warring of nations. It emphasizes the security of the 'city of God' because of God's dwelling within it, and it culminates in a prophetic oracle commanding the nations to cease their striving and acknowledge God's universal sovereignty.

Jehovah's Witnesses

Psalm 46 is read as a song of confidence in God's protective power amidst severe cosmic, natural, and political upheaval. The Psalmist affirms that God secures His city, subdues warring nations, and universally establishes peace, commanding all the earth to recognize His supreme sovereignty.

Chaguzi za tafsiri zilizofanywa na NCB (28)
  • v1: "for us a refuge" — Reflects the dative 'lanu' accurately and maps to the recurring first-person plural declarations of the psalm.
  • v1: "abundantly found" — Expresses the niphal participle 'nimtza' modified by the adverb of intensity 'me'od'.
  • v2: "earth changes" — Translates the hiphil infinitive of 'mur' literally without relying on archaic phrasings.
  • v2: "totter" — Standardizes the translation of the root 'mot', establishing a central repetition that echoes in verses 5 and 6.
  • v2: "Render the physical upheaval directly" — Uses direct physical equivalents, touching the dispute over whether these portray literal cataclysms or spiritual attacks without explicitly forcing either interpretive view.
  • v2: "earth / mountains / seas" — Preserves the source text's deliberate omission of definite articles on these cosmic elements.
  • v2: "seas" — Accurately renders the plural form 'yamim', which sets up the notable number shift in the following verse.
  • v3: "Follow Masoretic Text omitting refrain" — Preserves the text as transmitted without interpolating the refrain despite academic arguments for its accidental loss.
  • v3: "roar and foam" — Captures the phonetic wordplay of 'yehemu yechmeru' with vivid contemporary verbs.
  • v3: "its waters" — Modernizes the possessive pronoun while preserving the singular suffix that refers back to the plural seas.
  • v4: "A river—its streams" — Emulates the abrupt introduction of the anarthrous 'nahar' without inserting the 'There is a' copula.
  • v4: "tents" — Translates the plural 'mishkenei' using straightforward vocabulary appropriate for contemporary dignity.
  • v5: "will not totter" — Translates 'timmot' consistently to manifest its connection to the tottering mountains (verse 2) and kingdoms (verse 6).
  • v5: "at the turning of the morning" — Retains the literal temporal idiom 'lifnot boqer', avoiding flat paraphrases.
  • v6: "raged" — Maintains the echo of 'yehemu' from verse 3 in the use of 'hamu'.
  • v6: "tottered" — Completes the three-part repetition of the root 'mot' governing the psalm's structural imagery.
  • v6: "Nations... earth" — Mirrors the source text's anarthrous nouns, contrasting later definite forms.
  • v7: "The LORD" — Follows the required global rule for distinguishing the divine name YHWH.
  • v7: "Armies" — Translates 'Tzeva'ot' into recognizable military terminology for a modern register.
  • v7: "fortress" — Differentiates 'misgav' effectively from 'machaseh' (refuge) used in verse 1.
  • v8: "see" — Drops the archaic interjection 'behold' according to stylistic parameters.
  • v8: "set desolations" — Reproduces the Hebrew verb 'sam' directly while securing the original alliterative wordplay 'sam shammot'.
  • v9: "causes... to cease" — Provides an accurate rendering of the causative hiphil participle 'mashbit'.
  • v9: "bow... spear... chariots" — Strips out added English definite articles to accurately reflect the anarthrous Hebrew nouns.
  • v9: "chariots" — Retains the Masoretic Text reading ('agalah' as chariots/wagons) against the Septuagint alternative ('shields').
  • v10: "Desist" — Makes a deliberate choice rendering the verb 'harpu' as a sovereign rebuke to rebellious nations, explicitly addressing disputes divided among traditions over whether it signifies contemplative stillness, cessation of works-righteousness, or nonviolent abstention.
  • v10: "nations" — Replaces the dated term 'heathen' with 'nations' to maintain a contemporary register.
  • v10: "Add quotation marks" — Clarifies the sudden shift from plural imperatives into singular first-person divine speech.
Mipaka inayofaa kujulikana
  • This is AI-generated and source-grounded, and it is approved by no community that holds these traditions.
  • The readings were produced in isolated calls that do not see one another. Isolation prevents anchoring; it does not make them independent witnesses.
  • The Nicene-Trinitarian boundary, and the decision not to seat non-denominational Evangelicalism separately (it is a cross-traditional movement already present within several voting profiles), are editorial choices.
  • The roster, the grouping into three families, and the rule that families (not seat counts) carry consensus all shape the result. A different roster would produce a different synthesis.
  • One profile cannot exhaust a tradition; the synthesis reflects what the profiles said, not everything the traditions hold.
  • The non-voting panels (Academic, Jewish) never vote; LDS and Jehovah's Witness readings are a comparative appendix only.
  • Any profiles excluded for this chapter after failing the audit are named on the page and removed from the eligible roster for it.
  • The rendering is unreviewed by any tradition, and every contested wording it settled is listed in Choices Made — where the text forced a decision, the decision is documented rather than hidden behind a claim of preserved ambiguity.

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